![]() “People have this concept that if it’s safe to use on a person after surgery, it must be safe to use on art,” she says. ![]() Ellis says she’s also seen postage stamps, band-aids, and surgical tape. (People in the past have also been, let’s say, creative. ![]() The second type, says O’Loughlin, “brings horror to the mind of most conservators.” It is notorious for staining paper. They fall into two broad categories: the acrylic-based tape most recognizable as Scotch tape, and rubber-based tapes used in the early 20th century. So the first thing to do is identify the type of tape, which is why O’Loughlin travels with “70 pounds of historical tape examples” when teaching her tape-removal class. Depending on the type of tape, the type of paper, and the type of ink on the paper, you have to use different techniques. Removing tape is challenging because no two cases are the same. Of course, people would use it to repair rips in drawings and documents, without thinking of conservators in the future. “It was seen as a miracle product.” Pressure-sensitive tape, to use the official term, is much more convenient and easy to use compared to older adhesives that required heat or water. ![]() You can’t really blame people for using tape, says Elissa O’Loughlin, a former conservator at the Walters Art Museum, who co-teaches a five-day course on paper conservation. Removing it can easily take off a layer of paper, and adhesives from old tape can sink into paper, staining it an unsightly yellow or brown. The problem is simply that tape works too well. “Tape is the bane of the conservator’s existence,” says Margaret Holben Ellis, a professor of paper conservation at New York University. Sticky tape was first invented in the mid-19th century, and it’s been making conservators’ lives hell ever since. ![]()
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